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Woman artist Nadja Van Ghelue on

The way of the brush





The journey of contemporary artist Nadja Van Ghelue into the world of Japanese calligraphy started about twenty years ago when she was introduced into the practice of Zen calligraphy.

She herself explains:

"As a woman artist I always felt a deep bond with script and shodo gave me what I was looking for: Art as the finger that points to the absolute, as a skilful method of body-mind integration.

At the beginning I was captivated by the expressiveness of the characters. I studied the different styles of Chinese and Japanese Calligraphy and concentrated on the work of the old masters.

I slowly opened my eyes for the spiritual dimension of calligraphy. In Berlin I trained in Zen calligraphy based on the method of the Japanese masters Omori Sogen and Terayama Katsujo. In the Zen calligraphy sessions examples of genuine master calligraphers were used (Yamaoka Tesshu, Hakuin Ekaku, Torei Enji, Juin Onko). These artists showed me the writing from the heart, they taught me how to express myself freely and to flow in an unobstructed creative way. Through the writing from the heart I began to appreciate art as a direct practice that purifies the heart bringing one from the finite to the infinite.

Later, I became interested
in Chinese and Japanese
painting and I wanted to
learn it. Japanese painting
is the sister of Japanese
calligraphy and they
complement each other
both regarding technique
and vision.

Then, I met Tere Vila
Matas, a Barcelona based
contemporary woman artist,
who had studied painting
with the late Korean painter
Ung-No Lee. I spent some time in Barcelona working
with her.

A very interesting part of Ung-No Lee's teaching was that he encouraged Western artists not to limit Asian painting to the past by repeatedly copying the ancient masters. He wanted his students to have a solid knowledge of the ancient Asian painting and techniques, but at the same time, go beyond it and develop their own modern language.

Since then I have devoted myself to developing my own pictorial language. I am mainly a self-taught artist, and in ink painting my main inspiration is the marvelous work of the Chinese painters Wu Ch'ang-shuo, Ch'i Pai-shih and Chang Ta-ch'ien.

This unique art tradition of shodo and painting from the Far East has inspired me deeply as a woman artist. Today I feel very grateful to travel on the way of the brush. I invite you to see some of my calligraphies inspired on Buddhism and Zen at the Shodo Art Gallery, and my paintings at the Japanese painting Gallery."


For more about woman artist Nadja Van Ghelue's view on Japanese calligraphy and meditation



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Heart sutra in seal script.
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Heart Sutra in Seal Script

Bushido code print.
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Orchid scent print.
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Avalokiteshvara Bodhisattva print.
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